Michael Caine

Availability: One 

Edition of Three Worldwide 

40 x 60

Each edition features unique butterfly placement, making every piece a one-of-a-kind collector’s item—an artwork worthy of a regal setting and a deep appreciation for timeless icons.

This powerful portrait captures Michael Caine in his defining role from Get Carter, wielding a double-barrelled shotgun in one of British cinema’s most iconic moments.

The image was taken by the legendary Terry O’Neill, one of the most collected photographers of the 20th century. O’Neill’s work resides in national galleries and distinguished private collections worldwide, and this particular shot is a standout from his remarkable career.

Selected for the critically acclaimed exhibition ‘Hollywood Reloaded’ by artist and former Special Forces soldier Bran Symondson, this photograph carries immense historical and emotional weight.

It was the final project Terry O’Neill worked on before his passing, making it a uniquely meaningful collaboration for both artists.

The original photograph is hand-signed by both Terry O’Neill and Bran Symondson, solidifying its place as a rare and valuable collector’s item. ‘Hollywood Reloaded’ boldly reinterprets iconic images of screen legends like Michael Caine, Roger Moore, and Brigitte Bardot, each depicted with a weapon—now transformed through Symondson’s lens.

In a striking conceptual twist, the firearm shown in each portrait has been fired through the print using the same weapon depicted, leaving behind authentic bullet holes that alter the image both visually and symbolically. By damaging the surface of these polished, glamorous portraits, the work forces viewers to confront the stark contrast between Hollywood’s romanticised portrayal of guns and the real-life consequences they represent. It’s a compelling critique of the glorification of violence in popular culture.

With only three editions created worldwide, each featuring distinct butterfly placements and bearing the signatures of both creators, this artwork stands as a singular and thought-provoking piece—uniting film history, fine art, and political commentary.